Well, I am doing chores with an FM transmitter listening to the Piers Morgan gun debates and engaging in the ultimate hypocrisy. (Guilty pleasure, so far Ted Nugent is my favorite!) So, the debate is worth listening to from the perspective of analyzing the logical fallacies on both sides, and noting the glaring omission of state violence or the threat thereof.
As far as evidence of these events goes, what we have are stories of completely implausible scenarios, lists of names, backstopped by manipulated photos, transparently scripted interviews of survivors of the supposed victims who have a preternatural disposition towards happy, sunny grief, featuring talking points about gun legislation, "shooters" and AR15s, and a multitude of conflicting reports about what happened. Add to that recycled videos of drills, pictures of the locations that don't make any sense, implausible interviews with law enforcement and coroners, etc. Not very compelling as far as facts go.
What we don't have are photos of the crime scene (not necessarily morbid, I understand the sensitivity issue, but you can see someone getting their head shot off nearly every second of the day, side issue), but blasted out doors, shell casings, interior shots of the school, pictures of the cars that were supposedly shot up. A photo of a single bullet hole in the wall would be something. I have yet to see any of the physical items that might be presented in a court case. Imagine trying to collect insurance on a class action suit with videos of the deceased, interviews with survivors and photos and videos of funerals as evidence. I have yet to see any credible evidence that the villain is even a real person and not a created entity. Why don't we have a drivers license photo?
The media rolls out an event, guests are lined up on various talk shows and the debate commences on the merits of gun control. So, from my perspective, the bigger issue is: "Why do we accept the news as real?" Newscorp brags about "creating news". I take that literally. Like 9/11, I see this as a watershed issue, wherein the media is not objective, but complicit in the creation of the story.